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Torrent was responsible for 2.Internet traffic.As of February 2.Bit. Torrent was responsible for 3.To send or receive files, a person uses a Bit.Torrent client on their Internet connected computer.A Bit. Torrent client is a computer program that implements the Bit.Torrent protocol.Popular clients include Torrent, Xunlei, Transmission, q.The BitTorrent protocol can be used to reduce the server and network impact of distributing large files.Rather than downloading a file from a single source server.Bittorrent, Vuze, Deluge, Bit.Comet and Tixati.Bit. Torrent trackers provide a list of files available for transfer, and allow the client to find peer users known as seeds who may transfer the files.Programmer Bram Cohen, a former University at Buffalo student,4 designed the protocol in April 2.July 2. 00. 1,5 and the most recent version in 2.Bit. Torrent clients are available for a variety of computing platforms and operating systems including an official client released by Bit.Torrent, Inc. As of 2.Bit. Torrent has 1.As of January 2. 01.Bit. Torrent is utilized by 1.Based on this figure, the total number of monthly Bit.Torrent users may be estimated to more than a quarter of a billion.Animation of protocol use The colored dots beneath each computer in the animation represent different parts of the file being shared.By the time a copy to a destination computer of each of those parts completes, a copy to another destination computer of that part or other parts is already taking place between users.The tracker server provides only a single copy of the file, and all the users clone its parts from one another.Descriptionedit. The middle computer is acting as a seed to provide a file to the other computers which act as peers.The Bit. Torrent protocol can be used to reduce the server and network impact of distributing large files.Rather than downloading a file from a single source server, the Bit.Torrent protocol allows users to join a swarm of hosts to upload todownload from each other simultaneously.The protocol is an alternative to the older single source, multiple mirror sources technique for distributing data, and can work effectively over networks with lower bandwidth.Using the Bit. Torrent protocol, several basic computers, such as home computers, can replace large servers while efficiently distributing files to many recipients.This lower bandwidth usage also helps prevent large spikes in internet traffic in a given area, keeping internet speeds higher for all users in general, regardless of whether or not they use the Bit.Torrent protocol.A user who wants to upload a file first creates a small torrent descriptor file that they distribute by conventional means web, email, etc.They then make the file itself available through a Bit.Torrent node acting as a seed.Those with the torrent descriptor file can give it to their own Bit.Torrent nodes, whichacting as peers or leechersdownload it by connecting to the seed andor other peers see diagram on the right.The file being distributed is divided into segments called pieces.As each peer receives a new piece of the file, it becomes a source of that piece for other peers, relieving the original seed from having to send that piece to every computer or user wishing a copy.With Bit. Torrent, the task of distributing the file is shared by those who want it it is entirely possible for the seed to send only a single copy of the file itself and eventually distribute to an unlimited number of peers.Each piece is protected by a cryptographic hash contained in the torrent descriptor.This ensures that any modification of the piece can be reliably detected, and thus prevents both accidental and malicious modifications of any of the pieces received at other nodes.If a node starts with an authentic copy of the torrent descriptor, it can verify the authenticity of the entire file it receives.Pieces are typically downloaded non sequentially and are rearranged into the correct order by the Bit.Torrent client, which monitors which pieces it needs, and which pieces it has and can upload to other peers.Pieces are of the same size throughout a single download for example a 1.MB file may be transmitted as ten 1 MB pieces or as forty 2.KB pieces. Due to the nature of this approach, the download of any file can be halted at any time and be resumed at a later date, without the loss of previously downloaded information, which in turn makes Bit.Torrent particularly useful in the transfer of larger files.This also enables the client to seek out readily available pieces and download them immediately, rather than halting the download and waiting for the next and possibly unavailable piece in line, which typically reduces the overall time of the download.Once a peer has downloaded a file completely, it becomes an additional seed.This eventual transition from peers to seeders determines the overall health of the file as determined by the number of times a file is available in its complete form.The distributed nature of Bit.Torrent can lead to a flood like spreading of a file throughout many peer computer nodes.As more peers join the swarm, the likelihood of a completely successful download by any particular node increases.Relative to traditional Internet distribution schemes, this permits a significant reduction in the original distributors hardware and bandwidth resource costs.Distributed downloading protocols in general provide redundancy against system problems, reduce dependence on the original distributor9 and provide sources for the file which are generally transient and therefore harder to trace by those who would block distribution compared to the situation provided by limiting availability of the file to a fixed host machine or even several.One such example of Bit.Torrent being used to reduce the distribution cost of file transmission is in the BOINC client server system.If a BOINC distributed computing application needs to be updated or merely sent to a user, it can do so with little impact on the BOINC server.OperationeditA Bit.Torrent client is any program that implements the Bit.Torrent protocol.Each client is capable of preparing, requesting, and transmitting any type of computer file over a network, using the protocol.A peer is any computer running an instance of a client.To share a file or group of files, a peer first creates a small file called a torrent e.My. File. torrent.This file contains metadata about the files to be shared and about the tracker, the computer that coordinates the file distribution.Peers that want to download the file must first obtain a torrent file for it and connect to the specified tracker, which tells them from which other peers to download the pieces of the file. Download Game Nokia C7 Symbian Belle . Though both ultimately transfer files over a network, a Bit.Torrent download differs from a classic download as is typical with an HTTP or FTP request, for example in several fundamental ways Bit.Torrent makes many small data requests over different IP connections to different machines, while classic downloading is typically made via a single TCP connection to a single machine.Bit. Torrent downloads in a random or in a rarest first1.Taken together, these differences allow Bit.Torrent to achieve much lower cost to the content provider, much higher redundancy, and much greater resistance to abuse or to flash crowds than regular server software.However, this protection, theoretically, comes at a cost downloads can take time to rise to full speed because it may take time for enough peer connections to be established, and it may take time for a node to receive sufficient data to become an effective uploader.This contrasts with regular downloads such as from an HTTP server, for example that, while more vulnerable to overload and abuse, rise to full speed very quickly and maintain this speed throughout.In general, Bit. Torrents non contiguous download methods have prevented it from supporting progressive download or streaming playback.However, comments made by Bram Cohen in January 2.
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Learn how to work with inline frames and anchored objects in Adobe In. Design CS3 to achieve this result. From the author of It was the Dark Age of page layout. The flame of classical desktop publishing knowledge flickered but dimly, kept barely alive. Pestilence and famine stalked the narrow aisles between our unheated cubicles. And, almost worst of all, page layout programs could not paste graphics into text. Producing publications featuring graphics. It went something like this. Scroll. Zoom in. Measure. Pull a guide. down from a ruler. Select a graphic. One typically embeds graphics in lines of text whenever the graphics have a defined relationship to the text. Learn how to work with inline frames and anchored objects. Drag the graphic until it snaps to the guide. Sigh heavily. Repeat. These days, we embed graphics in lines of text whenever the graphics have a defined relationship to the text. You know what. we were talking aboutillustrations that should appear immediately after a paragraph think of the screen shots in a manual. If you anchor the graphics in the text, theyll follow the text as it flows through the text blocks or text frames containing. Really early versions of In. Design offered only inline frames, but now you can create inline frames, above line frames, and. An inline frame sits in the text position where its placed, though you can adjust its vertical offset how far up or down. For example, you might want to put graphic in the middle of a line of text. An above line frame sits between the line you placed it on and the line above it. In. Design adds space between the lines to. We usually call these inline frames, even though theyre. An anchored object can be placed anywhere on your page, even outside the text frame. Using inline frames does more than just stick a frame to a particular location in a storyit also makes it easier for you. Complicated spacing arrangements that would be difficult and involve. What can you anchor Even though we keep saying frames, you can actually anchor any kind of object into a text frame. You can use graphic frames. You can even create inline frames or anchored objects using frames that contain other frames or other inline frames. What cant you do to anchored objectsDespite an impressive array of cool things you can do with inline frames and anchored objects, there are still a few things. For example, you cant link or thread an inline or anchored text frame to another text frame. You also cannot. see whats inside them when youre in Story Editor mode or Galley or Story mode in In. Copy. The latter is especially annoying. In fact, were typing this in Story Editor right now and cant see the heading in the next paragraph because its already. Just another good reason to buy a another monitor so that you can have Story Editor and the document layout visible. Creating an Inline Frame. You can use any of the following methods to create an inline frame see Figure 6 5. Paste a frame or group into text. Place a graphic when you have an active text insertion point. Position the text cursor where you want the inline frame and choose Insert from the Anchored Object submenu under the Object. Then choose Inline or Above Line from the Position pop up menu. We virtually never use the Insert Anchored Object feature, but its nice to know its there. Instead, we usually paste an existing object, or place a. Use the Type tool to select a character or a range of characters and choose Convert to Outlines from the Type menu. In. Design. creates a path for each character in the selection and embeds the paths, as a compound path, in the text. In. Design treats each inline frame as a single character of text. When you view the text in Story Editor, you can see the anchor. You can select an inline frame using the Type tool and adjust its leading and baseline shift using the Character panel. You. can adjust the horizontal distance between the inline frame and the other characters on the line using kerning or trackingyou. You can select an inline frame using the Selection or Direct Selection tools, and you can edit the shape of the inline frame. Pen, Add Point, Delete Point, and Convert Point tools. You can also drag an inline frame. Figure 6 5. 4, or you can apply a baseline shift to the character containing the inline frame. Another way to adjust the vertical offset of a selected inline object is to choose Options from the Anchored Objects submenu. Object menu or the context menu and change the Y Offset value. This is a particularly good way to get the offset. Inline Frames and Leading. When you insert an inline frame into a text frame, In. Design gives it the leading value of the surrounding text. If youre. using auto leading, and if the inline frame is taller than the height of the text, In. Design pushes the line down to prevent. If, on the other hand, youre using a fixed leading value. By default, In. Design positions the bottom of the inline frame at the baseline. This works perfectly for uswhen the inline frame shares a line with other text, we usually want the leading of the line to. When we place an inline frame in a paragraph by itself, however, we usually want the height of. The rules are a little different when an inline frame falls on the first line of text in a text frame. In that case, the position. First Baseline option in the Text Frame Options dialog box. If the height of the inline frame is greater than the height of the characters in the line and it usually is, choosing Ascent. This pushes the first line down to accommodate the height. If you adjust the vertical position of the inline frame, the position of the first line of text moves. The same thing happens when you choose Cap Height note that these two settings produce different results for. When you choose Leading, however, In. Design positions the baseline of the first line of text according to the largest leading. If youre using a fixed leading value, and youve set the leading of the inline frame to the leading of. We always use the Baseline option for our first baseline position, and we always set the leading of a graphic that shares. This way, we always know where the first baseline of text. The only time we use auto leading is when were working with a paragraph that contains only an inline frame. The only trouble. By default, In. Designs auto leading value is equal to 1. How can we get the base auto leading percentage down to 1. The percentage used to calculate auto leading, as it turns out, is a paragraph level attribute. To view or adjust this percentage. Justification from the Paragraph panels menu. In. Design displays the Justification dialog box. Enter 1. 00 in the Auto. Leading field and click OK to close the dialog box see Figure 6 5. Once youve done this, the leading of the paragraph will equal the height of the inline frame. If you want, you can add. Creating Hanging Side Heads. If theres one thing that inline frames make easier, its hanging side heads. You knowthe headings that appear to the left. In In. Design, you can create a hanging side head that follows. You. use a hanging indent and an inline frame, as shown in the following steps see Figure 6 5. Create a hanging indent. To do this, set a left indent thats the width of the companion column you want to the left of. Place a tab stop at the left indent. Enter a tab character before the first character of the paragraph. This pushes the text to the left indent. Paste a text frame before the tab character you just entered. Adjust the position of the inline text frame, if necessary. Enter the headings text in the inline text frame. Format the heading. Thats all there is to ityou now have a hanging side head that will follow the paragraph anywhere it goes. This same technique. Of course, you can accomplish the same thing with an anchored objectwhich can actually sit in the margin outside the text. Creating an Anchored Object, later in this chapter. But some people find inline frames easier to work with. Selecting and Removing Inline and Anchored Objects. As we mentioned earlier, you can select an inline or anchored object using the Type tool the object behaves as if it were. Selection tool or Direct Selection tool. If you use the Type tool, you can select. Anchored Object Options dialog box. Using. either method, you can delete the object by pressing Delete. To unanchor an inline frame or anchored object, select it using the Selection tool, then cut and paste. 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MathMagicProScreen.jpg' alt='Scientific Notation In Microsoft Mathematics Download' title='Scientific Notation In Microsoft Mathematics Download' />Hexadecimal Wikipedia.In mathematics and computing, hexadecimal also base.LibreOffice 64bit is a powerful office suite its clean interface and powerful tools let you unleash your creativity and grow your productivity.On the relations between historical epistemology and students conceptual developments in mathematics.Nice to have you back.We have memorized your details.All you need to do is click download.Your email address Not youLinks to fonts for mathematical typesetting, compiled by Luc Devroye.It uses sixteen distinct symbols, most often the symbols 09 to represent values zero to nine, and A, B, C, D, E, F or alternatively a, b, c, d, e, f to represent values ten to fifteen.Hexadecimal numerals are widely used by computer system designers and programmers.As each hexadecimal digit represents four binary digits bits, it allows a more human friendly representation of binary coded values.One hexadecimal digit represents a nibble 4 bits, which is half of an octet or byte 8 bits.For example, a single byte can have values ranging from 0.FF in hexadecimal.In a non programming context, a subscript is typically used to give the radix, for example the decimal value 7.AF3.Several notations are used to support hexadecimal representation of constants in programming languages, usually involving a prefix or suffix.The prefix 0x is used in C and related languages, where this value might be denoted as 0x.AF3.RepresentationeditWritten representationeditUsing 09 and AFeditIn contexts where the base is not clear, hexadecimal numbers can be ambiguous and confused with numbers expressed in other bases.There are several conventions for expressing values unambiguously.A numerical subscript itself written in decimal can give the base explicitly 1.Some authors prefer a text subscript, such as 1.In linear text systems, such as those used in most computer programming environments, a variety of methods have arisen In URIs including URLs, character codes are written as hexadecimal pairs prefixed with http www.ASCII code point 2.In XML and XHTML, characters can be expressed as hexadecimal numeric character references using the notation xcode, where the x denotes that code is a hex code point of 1 to 6 digits assigned to the character in the Unicode standard.Thus x.Unicode code point number 2.In the Unicode standard, a character value is represented with U followed by the hex value, e.U2.AC is the Euro sign.Color references in HTML, CSS and X Window can be expressed with six hexadecimal digits two each for the red, green and blue components, in that order prefixed with white, for example, is represented FFFFFF.CSS allows 3 hexdigit abbreviations with one hexdigit per component FA3 abbreviates FFAA3.Unix and related shells, AT T assembly language and likewise the C programming language, which was designed for Unix and the syntactic descendants of C including C, C, D, Java, Java.Script, Python and Windows Power.Shell use the prefix 0x for numeric constants represented in hex 0x.A3.Character and string constants may express character codes in hexadecimal with the prefix x followed by two hex digits x.B represents the Esc control character x.B0mx.B2. 5 1. H is a string containing 1.NUL to mark the end of the string with two embedded Esc characters.To output an integer as hexadecimal with the printf function family, the format conversion code X or x is used.In MIME e mail extensions quoted printable encoding, characters that cannot be represented as literal ASCII characters are represented by their codes as two hexadecimal digits in ASCII prefixed by an equal to sign, as in EspaF1a to send Espaa Spain.Hexadecimal F1, equal to decimal 2.ISOIEC 8.In Intel derived assembly languages and Modula 2,4 hexadecimal is denoted with a suffixed H or h FFh or 0.A3.H. Some implementations require a leading zero when the first hexadecimal digit character is not a decimal digit, so one would write 0.FFh instead of FFh.Other assembly languages 6.Motorola, Pascal, Delphi, some versions of BASIC Commodore, Game Maker Language, Godot and Forth use as a prefix 5.A3.Some assembly languages Microchip use the notation HABCD for ABCD1.Ada and VHDL enclose hexadecimal numerals in based numeric quotes 1.A3.For bit vector constants VHDL uses the notation x5.A3.Verilog represents hexadecimal constants in the form 8h.FF, where 8 is the number of bits in the value and FF is the hexadecimal constant.The Smalltalk language uses the prefix 1.A3.Post. Script and the Bourne shell and its derivatives denote hex with prefix 1.A3.For Post. Script, binary data such as image pixels can be expressed as unprefixed consecutive hexadecimal pairs AA2.FD5.B3. 80. 10.FBC. Common Lisp uses the prefixes x and 1.Setting the variables read base6 and rint base7 to 1.Common Lisp system to Hexadecimal number representation for reading and printing numbers.Thus Hexadecimal numbers can be represented without the x or 1.MSX BASIC,8Quick.BASIC, Free.BASIC and Visual Basic prefix hexadecimal numbers with H H5.A3.BBC BASIC and Locomotive BASIC use for hex.TI 8.A3. ALGOL 6.Binary, quaternary base 4 and octal numbers can be specified similarly.The most common format for hexadecimal on IBM mainframes z.Series and midrange computers IBM System i running the traditional OSs z.OS, z.VSE, z. VM, TPF, IBM i is X5.A3, and is used in Assembler, PLI, COBOL, JCL, scripts, commands and other places.This format was common on other and now obsolete IBM systems as well.Occasionally quotation marks were used instead of apostrophes.Donald Knuth introduced the use of a particular typeface to represent a particular radix in his book The Te.Xbook.Hexadecimal representations are written there in a typewriter typeface 5.A3.Any IPv. 6 address can be written as eight groups of four hexadecimal digits sometimes called hextets, where each group is separated by a colon.This, for example, is a valid IPv.By contrast, IPv.Globally unique identifiers are written as thirty two hexadecimal digits, often in unequal hyphen separated groupings, for example 3.F2.E0 4. F8.D3 9. A0.C 0. 30.E8. 2C3. 30.There is no universal convention to use lowercase or uppercase for the letter digits, and each is prevalent or preferred in particular environments by community standards or convention.History of written representationsedit.Bruce Alan Martins hexadecimal notation proposal1.The use of the letters A through F to represent the digits above 9 was not universal in the early history of computers.During the 1.The SWAC 1. 95. 0 and Bendix G 1.U through Z for values 1.The ILLIAC I 1.K, S, N, J, F and L for values 1.The Librascope LGP 3.F, G, J, K, Q and W for values 1.The NECparametron computer NEAC 1.D, G, H, J, K and possibly V for values 1.New numeric symbols and names were introduced in the Bibi binary notation by Boby Lapointe in 1.This notation did not become very popular.Bruce Alan Martin of Brookhaven National Laboratory considered the choice of AF ridiculous.In a 1.CACM, he proposed an entirely new set of symbols based on the bit locations, which did not gain much acceptance.Soviet programmable calculators.L, C, E,   space for values 1.Seven segment display decoder chips used various schemes for outputting values above nine.The Texas Instruments 7.Value 1.Verbal and digital representationseditThere are no traditional numerals to represent the quantities from ten to fifteen letters are used as a substitute and most European languages lack non decimal names for the numerals above ten.Even though English has names for several non decimal powers pair for the first binary power, score for the first vigesimal power, dozen, gross and great gross for the first three duodecimal powers, no English name describes the hexadecimal powers decimal 1.Some people read hexadecimal numbers digit by digit like a phone number, or using the NATO phonetic alphabet, the Joint ArmyNavy Phonetic Alphabet, or a similar ad hoc system.Hexadecimal finger counting scheme.Systems of counting on digits have been devised for both binary and hexadecimal.Arthur C.Clarke suggested using each finger as an onoff bit, allowing finger counting from zero to 1.Another system for counting up to FF1.The hexadecimal system can express negative numbers the same way as in decimal 2.A to represent 4.Hexadecimal can also be used to express the exact bit patterns used in the processor, so a sequence of hexadecimal digits may represent a signed or even a floating point value.Fonts for mathematics.Born in 1.New York, Jonathan Hoefler ran the Hoefler Type Foundry or HTF in New York.It employed Tobias Frere Jones, Josh Darden, and Jesse Ragan.In 2.Hoefler Frere Jones, or HFJ for the cognoscenti.However, a legal problem between Jonathan and Tobias led to a corporate divorce in 2.The Hoefler Type Foundry.HTF carefully designed and complete families include HTF Didot 1.Harpers Bazaar based on the grosse sans pareille no.Mol le jeune, the antiqua text typeface HTF Hoefler Text 2.Apple products, Hoefler Text Ornaments distributed with Apple products, Saracen, Ziggurat, Leviathan, Historical English.Textura, Historical Fell.Type, Historical Great.Primer.Uncials, Historical St.Augustin, HTF Hoefler Titling, Gestalt HTF, Fetish HTF blackletter modernized, 1.Ehmcke HTF, Champion HTF, Acropolis HTF, Requiem, Knockout, all in the period 1.The Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types.In 2.Retina which was originally designed for the stock listings in the Wall Street Journal, Gotham, and Shades in Cyclone, Topaz, Giant and Knox weights.The Geometer Screen Fonts are free Mac fonts.In 2.Whitney by Tobias Frere Jones, designed for use in infographics.Whitneys sales blurb While American gothics such as News Gothic 1.European humanists such as Frutiger 1.Whitney bridges this divide in a single design.Its compact forms and broad x height use space efficiently, and its ample counters and open shapes make it clear under any circumstances.Hoefler received Bukvaraz 2.HTF Guggenheim, HTF Knockout, HTF Mercury 1.Goudys Mercury of 1.HTF Requiem.In the 1.Morisawa Awards competition, Hoefler received a bronze prize for Ideal Sans a slightly flared humanist sans family.In 2.HFJ writes it up beautifully Typefaces are born from the struggle between rules and results.Squeezing a square about 1 helps it look more like a square to appear the same height as a square, a circle must be measurably taller.The two strokes in an X arent the same thickness, nor are their parallel edges actually parallel the vertical stems of a lowercase alphabet are thinner than those of its capitals the ascender on a d isnt the same length as the descender on a p, and so on.For the rational mind, type design can be a maddening game of drawing things differently in order to make them appear the same.Twenty one years ago, we began tinkering with a sans serif alphabet to see just how far these optical illusions could be pushed.How asymmetrical could a letter O become, before the imbalance was noticeable Could a serious sans serif, designed with high minded intentions, be drawn without including a single straight line This alphabet slowly marinated for a decade and a half, benefitting from periodic additions and improvements, until in 2.Pentagrams Abbott Miller proposed a project for the Art Institute of Chicago that resonated with these very ideas.As a part of Millers new identity for the museum, we revisited the design, and renovated it to help it better serve as the cornerstone of a larger family of fonts.Since then weve developed the project continuously, finding new opportunities to further refine its ideas, and extend its usefulness through new weights, new styles, and new features.Today, H FJ is delighted to introduce Ideal Sans, this new font family in 4.Ideal Sans is a meditation on the handmade, combining different characteristics of many different writing tools and techniques, in order to achieve a warm, organic, and hand crafted feeling.At ATyp.I in 2. 00.Charles Peignot award.Time.Esquire, Lever House, e.Company Now, The Guggenheim Museum, The New York Times, and the Whitney Museum.He has worked on custom fonts for The New York Times Magazine, Times Mirror, Esquire and Mc.Graw Hill 1.Hoefler has made many more custom fonts, but he asked me to remove the names of these fonts from my pages.From 2.General GG available for free here, here and here.In 2.HFJ published the Numbers family, 1.Bayside based on a set of house numbers produced around 1.H.W. Knight Son of Seneca Falls, New York, Claimcheck, Delancey, Depot, Deuce, Dividend, Greenback, Indicia, Premium, Prospekt, Redbird, Revenue, Strasse, Trafalgar, Valuta.They also made a 3.Verlag in 2.Guggenheim.In 2. 00.HFJ published the blended Scotch newspaper serif text family Chronicle, which led to Chronicle Screen.Smart in 2.Still in 2. 00. 7, we find the gorgeous 3.Bauhaus sans family Verlag about which HFJ writes From the rationalist geometric designs of the Bauhaus school, such as Futura 1.Erbar 1.Verlag gets its crispness and its meticulous planning.Verlags fairminded quality is rooted in the newsier sans serifs designed for linecasting machines, such as Ludlow Tempo and Intertype Vogue both 1.Midwestern newsroom for much of the century.But unlike any of its forbears, Verlag includes a comprehensive and complete range of styles five weights, each in three different widths, each including the often neglected companion italic.In 2.Archer, a humanist slab serif originally designed for Martha Stewart Living.It has a great range of features, including a classy hairline style.However, I see trouble down the road with the name Archer which has been used previously by several other foundries such as Sign.DNA, Arts Letters and Silver Graphics.Some say that Archer is just Stymie with some ball terminals.Nevertheless, it became a grand hit, and as been used by wes Anderson for The Budapest Hotel, and in Wells Fargo branding.David Earls on Archer with its judicious yet brave use of ball terminals, and blending geometry with sexy cursive forms, all brought together with the kind of historical and intellectual rigour you fully expect from this particular foundry, Archer succeeds where others falter.Poster featuring Archer by Courtney Mc.Nary 2.Sentinel 2.HFJs take on a Clarendon.Yet again, I cant understand why they picked a name already taken by many foundries such as Graphx Edge Fonts, alus, Comicraft, Dieter Steffmann, not to speak of a foundry called Sentinel Type.And they repeated that daredevil naming of fonts with Tungsten 2.Sparklefonts.Their sales pitch That rarest of species, Tungsten is a compact and sporty sans serif thats disarming instead of pushy not just loud, but persuasive.Douglas Wilson compares Tungsten with Alternate Gothic No.Morris Fuller Benton.Naming fonts is Hoeflers weakness.In 2.Vitesse, for their newest font family.The typophiles react to the slab family with praise I think theyre chasing Cyrus Highsmith, Dispatch and Christian Schwartz, Popular on this one.Doing a pretty good job of it tooLooks to me like the love child of Eurostile and City.To continue the trend, they published Forza in 2.Forza by Michel Luther at Die Gestalten surely, there must be a way to choose original names.Free Hacking Software For Mig33 there.St. Augustin Civilit St.Augustin Civilit is a digitization of Robert Granjons extraordinary type of 1.Ensched type foundry, Haarlem.This typeface is reproduced in Civilit Types by Harry Carter and H.D. Truck Driving School Near Augusta Ga Craigslist . L. Vervliet Oxford Bibliographical Society, by the Oxford University Press, 1.As figures and punctuation were lacking in the original, these have been borrowed from two other Granjon types, the Courante and Bastarde of 1.The remainder of the character set has been invented.In 2.Idlewild. HFJ also sells a package of various number fonts.This includes the following Bayside after ornamental house numbers, Claimcheck inspired by ticket stubs, Delancey from tenement doorways, Depot modeled on vintage railcars, Deuce based on playing cards, Dividend from an antique check writer, Greenback based on U.S. Song of Myself. Wont you help support Day.Poems 1. 81. 9 1.I celebrate myself, and sing myself.And what I assume you shall assume.For every atom belonging to me as good belongs to you.I loafe and invite my soul.I lean and loafe at my ease observing a spear of summer grass.My tongue, every atom of my blood, formd from this soil, this air.Age-of-Empires-3.jpg' alt='Descargar Crack De Age Of Empires 3 The Asian Dynasties Torrent' title='Descargar Crack De Age Of Empires 3 The Asian Dynasties Torrent' />Born here of parents born here from parents the same, and their.I, now thirty seven years old in perfect health begin.Hoping to cease not till death.Creeds and schools in abeyance.Retiring back a while sufficed at what they are, but never forgotten.I harbor for good or bad, I permit to speak at every hazard.Nature without check with original energy.Houses and rooms are full of perfumes, the shelves are crowded with.Age-of-Empires-3-Setup-Free-Download.jpg' alt='Descargar Crack De Age Of Empires 3 The Asian Dynasties Torrent' title='Descargar Crack De Age Of Empires 3 The Asian Dynasties Torrent' />I breathe the fragrance myself and know it and like it.The distillation would intoxicate me also, but I shall not let it.The atmosphere is not a perfume, it has no taste of the.It is for my mouth forever, I am in love with it.I will go to the bank by the wood and become undisguised and naked.I am mad for it to be in contact with me.The smoke of my own breath.Echoes, ripples, buzzd whispers, love root, silk thread, crotch and vine.My respiration and inspiration, the beating of my heart, the passing.The sniff of green leaves and dry leaves, and of the shore and.The sound of the belchd words of my voice loosd to the eddies of.A few light kisses, a few embraces, a reaching around of arms.The play of shine and shade on the trees as the supple boughs wag.The delight alone or in the rush of the streets, or along the fields.JPY Japanese Yen Latest News, Analysis and Forex.Latest JPY market news, analysis and Japanese Yen trading forecast from leading.Age of Empires III v1.Age of Empires III The WarChiefs v1.Age of Empires III The Asian Dynasties v1.The feeling of health, the full noon trill, the song of me rising.Have you reckond a thousand acres muchHave you practisd so long to learn to read Have you felt so proud to get at the meaning of poems Stop this day and night with me and you shall possess the origin of.You shall possess the good of the earth and sun, there are millions.You shall no longer take things at second or third hand, nor look through.BibMe Free Bibliography Citation Maker MLA, APA, Chicago, Harvard.Forex Margin Call Explained babypips.Learn what a margin call is in forex trading and watch how quickly you.ZMWxcb1zzQ/hqdefault.jpg' alt='Descargar Crack De Age Of Empires 3 The Asian Dynasties Torrent' title='Descargar Crack De Age Of Empires 3 The Asian Dynasties Torrent' />You shall not look through my eyes either, nor take things from me.You shall listen to all sides and filter them from your self.I have heard what the talkers were talking, the talk of the.But I do not talk of the beginning or the end.There was never any more inception than there is now.Nor any more youth or age than there is now.And will never be any more perfection than there is now.Nor any more heaven or hell than there is now.Urge and urge and urge.Always the procreant urge of the world.Out of the dimness opposite equals advance, always substance and.Always a knit of identity, always distinction, always a breed of life.To elaborate is no avail, learnd and unlearnd feel that it is so.Sure as the most certain sure, plumb in the uprights, well.Stout as a horse, affectionate, haughty, electrical.I and this mystery here we stand.Clear and sweet is my soul, and clear and sweet is all that is not my soul.Lack one lacks both, and the unseen is proved by the seen.Till that becomes unseen and receives proof in its turn.Showing the best and dividing it from the worst age vexes age. Judge And Jury American Tort Law On Trial 2 . Knowing the perfect fitness and equanimity of things, while they.I am silent, and go bathe and admire myself.Welcome is every organ and attribute of me, and of any man hearty and clean.Not an inch nor a particle of an inch is vile, and none shall be.I am satisfied I see, dance, laugh, sing.As the hugging and loving bed fellow sleeps at my side through the night.Leaving me baskets coverd with white towels swelling the house with.Shall I postpone my acceptation and realization and scream at my eyes.That they turn from gazing after and down the road.And forthwith cipher and show me to a cent.Exactly the value of one and exactly the value of two, and which is ahead Trippers and askers surround me.People I meet, the effect upon me of my early life or the ward and.I live in, or the nation.The latest dates, discoveries, inventions, societies, authors old and new.My dinner, dress, associates, looks, compliments, dues.The real or fancied indifference of some man or woman I love.The sickness of one of my folks or of myself, or ill doing or loss.Battles, the horrors of fratricidal war, the fever of doubtful news.These come to me days and nights and go from me again.But they are not the Me myself.Apart from the pulling and hauling stands what I am.Stands amused, complacent, compassionating, idle, unitary.Looks down, is erect, or bends an arm on an impalpable certain rest.Looking with side curved head curious what will come next.Both in and out of the game and watching and wondering at it.Backward I see in my own days where I sweated through fog with.I have no mockings or arguments, I witness and wait.I believe in you my soul, the other I am must not abase itself to you.And you must not be abased to the other.Loafe with me on the grass, loose the stop from your throat.Not words, not music or rhyme I want, not custom or lecture, not.Only the lull I like, the hum of your valved voice.I mind how once we lay such a transparent summer morning.How you settled your head athwart my hips and gently turnd over upon me.And parted the shirt from my bosom bone, and plunged your tongue.And reachd till you felt my beard, and reachd till you held my feet.Swiftly arose and spread around me the peace and knowledge that pass.And I know that the hand of God is the promise of my own.And I know that the spirit of God is the brother of my own.And that all the men ever born are also my brothers, and the women.And that a kelson of the creation is love.And limitless are leaves stiff or drooping in the fields.And brown ants in the little wells beneath them.And mossy scabs of the worm fence, heapd stones, elder, mullein and.A child said What is the grassHow could I answer the child I do not know what it is any more than he.I guess it must be the flag of my disposition, out of hopeful green.Or I guess it is the handkerchief of the Lord.A scented gift and remembrancer designedly dropt.Bearing the owners name someway in the corners, that we may see.Whose Or I guess the grass is itself a child, the produced babe of the vegetation.Or I guess it is a uniform hieroglyphic.And it means, Sprouting alike in broad zones and narrow zones.Growing among black folks as among white.Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I.And now it seems to me the beautiful uncut hair of graves.Tenderly will I use you curling grass.It may be you transpire from the breasts of young men.It may be if I had known them I would have loved them.It may be you are from old people, or from offspring taken soon out.And here you are the mothers laps.This grass is very dark to be from the white heads of old mothers.Darker than the colorless beards of old men.Dark to come from under the faint red roofs of mouths.O I perceive after all so many uttering tongues.And I perceive they do not come from the roofs of mouths for nothing.I wish I could translate the hints about the dead young men and women.And the hints about old men and mothers, and the offspring taken.What do you think has become of the young and old menAnd what do you think has become of the women and children They are alive and well somewhere.The smallest sprout shows there is really no death.And if ever there was it led forward life, and does not wait at the.And ceasd the moment life appeard.All goes onward and outward, nothing collapses.And to die is different from what any one supposed, and luckier.Has any one supposed it lucky to be bornI hasten to inform him or her it is just as lucky to die, and I know it.I pass death with the dying and birth with the new washd babe, and.And peruse manifold objects, no two alike and every one good.The earth good and the stars good, and their adjuncts all good.I am not an earth nor an adjunct of an earth.I am the mate and companion of people, all just as immortal and.They do not know how immortal, but I know.Every kind for itself and its own, for me mine male and female.For me those that have been boys and that love women.For me the man that is proud and feels how it stings to be slighted.For me the sweet heart and the old maid, for me mothers and the.For me lips that have smiled, eyes that have shed tears.For me children and the begetters of children.Undrape you are not guilty to me, nor stale nor discarded.I see through the broadcloth and gingham whether or no.And am around, tenacious, acquisitive, tireless, and cannot be shaken away. How to Handle Personal Feedback During a Performance Review. Performance reviews can be nerve wracking, especially if youre not sure what youre going to hear from your boss. And if your manager has feedback for you that is more about your personality than your work, it can be tough to know how to respond. Heres how to handle personality based feedback so you can move onto focusing on improving your work. Kieran Snyder, linguist and CEO of Textio, analyzed nearly 2. Fortune and found that women experience negative personality based feedback more than men. This kind of negative personality criticismwatch your tone It shows up in 7. Paola Cecchi Dimeglio, a lawyer and behavioral economist, writes on Harvard Business Review about her similar findings. One of my findings, using content analysis of individual annual performance reviews, shows that women were 1. If youre lucky, or in a good place career wise, you dont have a micromanaging boss. But if youRead more Read. How to Identify Personality Based Feedback. Performance reviews can be nervewracking, especially if youre not sure what youre going to hear from your boss. And if your manager has feedback for you that. Regardless of your gender, this type of feedback can be hard to spot. Shannon Fitzgerald, Director of HR at The Muse, clarifies that any time someone gives you feedback on who or what you are, that falls under personality based feedback. Here are a few example characteristics Abrasive. Bossy. Pushy. Quiet. Uptight. Stubborn. Inflexible. Personality based feedback isnt always negative you also want to watch out for characteristics that box you into a gender stereotype, even if theyre positive. Perfectionist. Independent. Headstrong. Decisive. Bold. Helpful. Understanding. Sensitive. Upbeat. Warm. You dont want to miss out on leadership or development opportunities because your manager sees you as not being a personality fit. Theres something quite special that happens when we reflect on what weve done. Well, two things,Read more Read. You should also keep an eye out for other feedback in your review that downplays your contributions and performance. For example, a successful project you lead being attributed to everyone working long hours or to luck rather than your skills or experience. What to Do When You Get Personality Based Feedback. This type of feedback can be tough to hear, and even tougher to deal with, since it is often subjective. Fitzgerald recommends talking with the person who gave you the feedback. Aim to have a transparent discussion about their feedback and what they really meant. You want to end up with them giving you specific examples of your actions that tie back to the characteristics they mentioned, and specific steps you can take to address their concerns. You should walk away with them feeling like you can grow and improve. Fitzgerald explains how to get clarification So if someone gives personality based feedback, ask for behaviors that may have caused that perception. Dig in deeper. A clarifying question can be What was it that I said or did that gave you that feeling This will help them be more specific and it will also give you context into what actions caused that perception. If you realize later that youve been given personality based feedback, or youre unable to dive deeper in the moment, you can always circle back. You dont want to avoid getting more information because performance reviews can have a big impact on your career trajectory, as well as how your manager and those above them perceive your work. Fitzgerald gives an example phrase you can use to kick off a delayed discussion You know, Ive been thinking a bit more about how you said I was rude. That wasnt my intention so Id like to get more clarity on what I said or did that gave you that perception. If you need help navigating this conversation, Fitzgerald suggests turning to your HR department, or your companys Employee Assistance Program EAP if they have one. You can also practice with a trusted friend or mentor. Give them an idea of how you think your boss will respond or of past interactions with your boss so that they can effectively role play the conversation. Datsun L series ZCAR engine modifications. Datsun was very clever using the same 6 cylinder enginetransmission and drivetrain platform from 1. Not only did this make them easy to manufacture, but it lets an enthusiast mix parts from different years to create the perfect first generation Z. The secret is that the heavier 2. ZX used physically identical 6 cylinder engines and transmissions from 1. Z models. Since a great many 2. Zs and ZXs are in junkyards what better time to breathe some life back into your car So here is my formula for a very quick and fun 1. Z along with tested performance tips. ZZX ZX people should keep their injection and ignition and change the drivetrain parts only. FIRST THE CARUnlike Chevy Chevelles of which several million were made, there were only 3. Zs made. After close to 4. Sadly, rust, wrecks, and rebuilds have sidelined most of them over the decades. Despite the nostalgia I dont see a problem removing the old engine and drivetrain and replacing them with newer versions. Without your intervention the car would likely never see the street again. If you want to find a base model to use for your fantasy racer, try to find one of the first 1. Zs made from 1. 97. These are identified by a 2. Z badge behind the side window and two grills on the rear hatch. These 7. 0 7. 1s were the lightest of all ZCARs, at about 2. Later models went to a round Z badge behind the side window and removed the hatch grills. Unfortunately the weight went up a few hundred pounds due to chassis strengthening. Z F5. 4 with P9. 0 head, Nissan T5 5 speed, 4 1. SECOND the block Datsun made several blocks over the years, varying in bore and casting methods. Compared to the 2. Z L2. 4, the 2. 60. Z L2. 6 had a longer stroke, while the 2. Z L2. 8 had both a longer stroke and a larger bore. The way to identify the block is to look on the driver side of the engine, to the right of the motor mount. Thats where they cast the block number. ENGINEDISPLACEMENTBLOCK CASTING CODEHEADSL2. Z2. 4 liter E3. E3. 1 L2. 4 7. 1 7. Z 2. 4 liter P3. E8. 8L2. 6 7. 4 2. Z2. 6 liter P3. E8. 8L2. 8 7. 5 8. ZZX2. 8 liter N4. N4. 2, N4. 7 L2. 8 8. ZX2. 8 liter F5. P7. 9, P9. 0, P9. Except for the turbo guys it seems that only since the late 1. F5. 4 engines. Because of the Zs longevity these motors didnt show up in junkyards until then, well past the heyday of Z racing fever in the 1. What people didnt realize is that minus power steering, AC, and other ZX plumbing the F5. L series engine. ZX. Personally, I like the idea of putting a late model F5. Z and converting it back to carbs. Very retro, functional, and quick. So I suggest using the last of the L2. F5. 4. Its cylinders are siamesed meaning that instead of coolant flowing between all the cylinders as on earlier models they are connected between 1 2, 3 4, 5 6 with cast webbing for more rigidity. There really isnt a special turbo block, all Datsun did to make the F5. It can be tricky determining exactly what combo is in your car as many have had the heads swapped over the years. First check the block code, then the head code between the 1st and 2nd spark plugs. Check out the head page to see which head came with which block. Sometimes you have to do a little detective work. PISTONS The F5. 4 motors with P7. All other L2. 8 engineshead combos N4. N4. 7,P9. 0, P9. 0a came with dished pistons. In a performance engine, flattop pistons create a higher quench mixture and allow for higher performance combustion chambers. Dished pistons are usually used to lower emissions. HEADS The P7. 9, P9. P9. 0a heads are the three heads found on F5. The P7. 9 has diamond shaped exhaust ports with steel liners that heat red hot to reduce emissions. The P9. 0 and P9. E8. 8 and N4. 2. My guru racer buddy says Nissan finally got it right on the P9. Its design incorporates the best features of all the heads square exhaust ports, high quench chambers, and steel seats. Check out my P9. 0 and P7. HORSEPOWERThe 1. 97. L2. 8 motors put out a rated 1. L2. 8 motors were 1. The little plate on the shock tower in the 1. Zs engine compartment may say 1. SAE but thats gross HP. THIRD carburetion and fuel The optimum stoichiometric airfuel ratio for car engines is 1. Luckily the stock 2. Z Hitachi SU is a great carb for both street and performance and automatically meters the gas depending on the airflow through it. So whether you are stock or have a cam with large duration, with the proper needle the SU carb tries to keep the correct mixture from idle to redline. A simple, accurate design. See here for Weber DCOE tips and tricks. The good SUs were from 1. The year makes no difference for performance as the nozzles and needles from different years interchange. If you have carbs with the square choke flap in the inlet or round flat tops then you have poorly performing emission carbs. Exchange them for earlier SU models. NOZZLES AND CARB NEEDLES the 7. N2. 7 needles and related nozzles. the 7. N5. 4 needles, the 7. N5. 8, both with the same 7. SM needles from British SUs are excellent for performance. See my Dyno page for details. My own setup is. Z Therapy nozzles, SM needles on a set of 1. Z N3. 6 intake. SETTING SU FLOAT BOWL LEVELSWeve all spent afternoons syncing the carb airflow, topping up the damper oil and making sure the jet needlefuel nozzle levels are set properly 2 12 turns down, etc. But how many of us have checked to make sure the gas float levels are identical on each carb This is actually a very big deal. If the fuel levels are different in each float bowl, even a small bit, one carb will always be lean or rich compared to the other. The issue is that the SU uses a combination of incoming gas and the float closing the fuel valve to create a steady fuel level at the tip of each fuel nozzle. If this fuel level varies between carbs then its also at a different level on each jet needle. HOW TO MEASURE FUEL LEVELSThis has been covered in several places online. Be careful since youre dealing with gasoline Mark the front of the float bowl 2. These measurements are done with the carbs on the car. Get some small diameter clear plastic hose from the hardware store, cut a piece about 1. Connect one end to a float bowls outlet and run the other end up over the carb. Some people connect the hose to the drain plug on the float bowl but the fuel hose outlet is a lot easier. Bring your fuel pressure to what it would be while idling. This means if you have a mechanical fuel pump turn the engine over a few times with the coil wire off. With an electric fuel pump just turn the ignition on to pump up the fuel pressure. The fuel level will equalize in the hose and should line up with the 2. By sighting the level in the hose and bending the tab on each float you can get the float fuel levels to match within a millimeter. HOWEVER Even though adjusting the floatbowl levels to 2. THE TRICK I did some measuring with a straightedge and found that on my 4 screw SUs a 2. But how do you see to measure fuel 1 centimeter down inside the fuel ozzleSee below. Remove the dome and main piston from each carb so you can look down the tip of both fuel nozzles. Screw each mixture nut exactly 1. Each full turn drops the nozzle tip 1 mm, so 1. Then look down the tip of each fuel nozzle and adjust each float to set the gas level at the fuel nozzle tip. I ended up taking mine to 9 turns down and set the fuel at the meniscus of the tip. Then when I went to 1. A bit of a juggling act but after a few minutes you will get the hang of it. When you get them to match its a great feeling. NOTE 1 if your mixture nut wont go down more than a few turns, its because the factory stopper next to the nut is still in place. Unless originality is a concern, you can permenantly remove both stoppers from the bottom of the carb. NOTE2 if the fuel level is too high and overflows the nozzle tip, you will need to drain each float bowl a bit before starting again. The result was a lower, more solid idle and less choke needed at startup. I get no stumbling off idle and part throttle acceleration is smoother, acceleration more powerful. Cruising on the interstate requires a lighter touch on the accelerator. Interesting. FLOAT VALVESI recently bought a quality carb rebuild kit which contained pair of longshort valves for each carb with no mention in the instructions. Different year SUs came with different length float ears, but which length valve went with each year carb and why Window Leak Help Call 5.Watch Video on Window Leaks.Here at Pro. Master Home Repair Handyman of Cincinnati, weve helped many homeowners solve a difficult window leak.These leaks often result from improperly installed windows or poor home construction techniques that prompt the need for repair.The following article reveals the warning signs that every homeowner can use to determine if they have a serious window leak.Tell Tale Signs of a Window Leak.Visible moisture on the interior of your home on or around a window is a rather obvious sign of a window leak, but there are often more insidious window leaks with symptoms far more difficult to spot.Unfortunately, these symptoms arise only after significant damage has occurred.The following pictures and description will help you spot those problems before they can cost your thousands of dollars in preventable home repairs.Do These Window Leak Symptoms Look Familiar If any of these pictures look familiar, dont panic.A good home repair professional can isolate and eliminate the source of the leak and repair the resulting water damage.But time is of the essenceMold growth, wood rot, drywall and insulation damage, and even structural problems may result from delaying the repair.Case Study on the Damage from a Window Leak To illustrate how a small, insidious window leak can cause enormous frustration for a homeowner, lets examine a case study from a recent client that we helped in Amelia, Ohioa suburb of Cincinnati.This home was about 8 years old, and like many tract homes built in the Cincinnati area, it has 2 story great rooms with windows composing much of the exterior wall.While this is a wonderful architectural feature, the vinyl siding and construction techniques used in these homes do not generally prevent a large wall of windows like this from leaking.The homeowner reports fighting window leaks in this part of the home since shortly after purchase, and indicates that the builder could not resolve the problem.In addition, her neighbors are experiencing similar problems.While one cant automatically conclude that there is a common building defect in these homes, it is a clue that should lead any home repair professional toward examining the flashing or window installation quality.Window Leaks Often Result From Inferior Construction.In the case of this homeowner, her window leaks are the result of improperly flashed windows and the absence of house wrap.Flashing is simply material used to shed water away from areas particularly vulnerable to water intrusion.House wrap is just what it sounds likea material that covers the wood sheeting and prevents any water that sneaks in behind the brick or siding from soaking the wood it wraps.Click thumbnail for a larger image.From the pictures, you can see how the absence of proper window flashing and house wrap has allowed the water to penetrate and rot out the wood around the windows, causing significant drywall and insulation damage.More alarming is the mold growth on the wood framing and drywall around the windows inside the home.Aside from the annoyance of water coming in the home during a rain storm, mold growth presents an unacceptable health concern to the family living inside.If You Suspect a Window Leak.Here are several things you can do to assist your home repair professional with diagnosing and resolving the a window leak.During the next rain event, ask yourself the following questions and note your observations Does the window always leak when it rainsOr does it only leak during a heavy rain shower Does the window leak when the rain is being driven by wind from a particular direction How long has the window been leaking Can you identify any event associated with the first time you noticed the window leak i.Has the window leak worsened Or has it remained consistent over timeHave you attempted to stop the leak If so, what has been done Has that helped If you can obtain this information, find out who built your home and when it was constructed.Bigger Problem Than Just a Window Leak.Another common cause of a window leak that many homeowners overlook is a bad box gutter.If youve ever had box gutter issues in the past and suffer from unexplained window leaks, your box gutter may be to blame.Find out more here Contact Us for Help With Your Window Leak.Call 5. 13 3. 22 2.Text 5. 13 3. 22 2.Warning Signs That Your Home Has a Serious Window Leak Window Leak Repair Watch Video on Window Leaks.Here at ProMaster Home Repair Handyman of Cincinnati, we.A simple, permanent repair for cracked concrete walls. Windows Vista Ultimate X86 Integrated January 2008 Physics . Click here for Pro.Master Home Repair Handyman.Real plaster walls are so rare in modern construction its easy to assume they can never be more than flat, neutral surfaces.However, once you see plasterwork. Web oficial de la Universidad de A Corua. Enlaces a centros, departamentos, servicios, planes de estudios. Como fazer uma mulher ter orgasmos mltiplos. Tcnicas de excitao anal, vaginal sexo oral e do clitris. Fotos. Como agradar um homemmulher na cama. O ponto G. Top VIdeos. Warning Invalid argument supplied for foreach in srvusersserverpilotappsjujaitalypublicindex. php on line 447. Libro Wikipedia, la enciclopedia libre. Un libro del latnliber, libri es una obra impresa, manuscrita o pintada en una serie de hojas de papel, pergamino, vitela u otro material, unidas por un lado es decir, encuadernadas y protegidas con tapas, tambin llamadas cubiertas. Un libro puede tratar sobre cualquier tema. Segn la definicin de la Unesco,1 un libro debe poseer 2. Tambin se llama libro a una obra de gran extensin publicada en varias unidades independientes, llamados tomos o volmenes. Otras veces se llama tambin libro a cada una de las partes de una obra, aunque fsicamente se publiquen todas en un mismo volumen ejemplo Libros de la Biblia. Hoy en da, no obstante, esta definicin no queda circunscrita al mundo impreso o de los soportes fsicos, dada la aparicin y auge de los nuevos formatos documentales y especialmente de la World Wide Web. El libro digital o libro electrnico, conocido como e book, est viendo incrementado su uso en el mundo del libro y en la prctica profesional bibliotecaria y documental. Adems, el libro tambin puede encontrarse en formato audio, en cuyo caso se denomina audiolibro. Desde los orgenes, la humanidad ha tenido que hacer frente a una cuestin fundamental la forma de preservar y transmitir su cultura, es decir, sus creencias y conocimientos, tanto en el espacio como en el tiempo. El planteamiento de esta cuestin supone por un lado, determinar la forma de garantizar la integridad intelectual del contenido de la obra y la conservacin del soporte en el que fue plasmada, y por otro, encontrar el medio por el cual se mantendr inalterada la intencin o finalidad para la cual se concibi. Los orgenes de la historia del libro se remontan a las primeras manifestaciones pictricas de nuestros antepasados, la pintura rupestre del hombre del paleoltico. Con un simbolismo, posiblemente cargado de significados mgicos, estas pinturas muestran animales, caceras y otras escenas cotidianas del entorno natural del hombre antiguo, que trataba de dominar las fuerzas adversas de la naturaleza capturando su esencia mediante su representacin. Son el ms antiguo precedente de los primeros documentos impresos de que se tiene memoria. Comunicacin oral y formas rudimentariaseditarLas seales gestuales fueron la primera forma de expresar y transmitir mensajes. La palabra hablada es la manera ms antigua de contar historias. Mediante frmulas de valor mnemotcnico2 se estructuraban narraciones, que pasaban de generacin en generacin como valiosa herencia cultural de los ms diversos grupos humanos. Dichas reglas mnemotcnicas ayudaban tanto a la memorizacin como a la difusin de los relatos. Es el caso de los poemas homricos, que han merecido valiosos estudios sobre el particular. Posiblemente, gran parte de las tradiciones y leyendas han tenido semejante inicio. Esta transmisin oral tena el inconveniente de los ruidos que deformaban el mensaje. La mayora de las veces era el narrador rapsoda, aeda, juglar quien en funcin de sus intereses la deformaba de una u otra forma. La escrituraeditarCuando los sistemas de escritura fueron inventados en las antiguas civilizaciones, el hombre utiliz diversos soportes de escritura tablillas de arcilla, ostracon, placas de hueso o marfil, tablas de madera, papiros, tablillas enceradas, planchas de plomo, pieles curtidas, etc. La escritura fue el resultado de un proceso lento de evolucin con diversos pasos imgenes que reproducan objetos cotidianos pictografa representacin mediante smbolos ideografa y la reproduccin de slabas y letras. Los ms antiguos vestigios de escritura se encuentran, hacia finales del IV milenio a. C., en el Antiguo Egipto, con jeroglficos, y la antigua Mesopotamia, mediante signos cuneiformes escritura cuneiforme utilizaban una varilla con seccin triangular, que al hendir en placas de arcilla, dejaba una marca en forma de cua. La usaron los sumerios, acadios, asirios, hititas, persas, babilonios etc. La escritura egipcia, que perdur ms de tres milenios, mediante jeroglficos, representaba ideas abstractas, objetos, palabras, slabas, letras y nmeros. Evolucion en las escrituras hiertica y demtica. Otros pueblos, como los hititas y los aztecas tambin tuvieron tipos propios de escritura. La escritura china ms antigua que se conoce son 5. C. en el yacimiento de Xiaotun, en la provincia de Henan. Pero los primeros libros reconocibles de China corresponden al siglo VI a. C., los jiance o jiandu, rollos de finas tiras de bamb o madera grabados con tinta indeleble y atados con cordel. Estos textos servan principalmente a causas institucionales, era la obra de funcionarios civiles o militares. 3Desde Confucio en adelante 5. C. los libros se convirtieron en importantes instrumentos de aprendizaje, se escribieron tratados de filosofa, medicina, astronoma y cartografa. En el perodo de los reinos combatientes 4. C. La seda se us mucho como soporte para escribir. La tela era ligera, resistente al clima hmedo, absorba bien la tinta y proporcionaba al texto un fondo blanco, sin embargo era mucho ms cara que el bamb, es por esto que en ocasiones se haca una copia en bamb antes de grabarse en seda los textos importantes. La invencin del papel segn la tradicin china, se atribuye a un eunuco de la corte imperial llamado Cai Lin en el 1. C. Usando nuevos ingredientes trapos viejos, camo, corteza de rbol y redes de pescar cre un mtodo de fabricacin de papel muy similar al que se usa hoy en da. Pero el papel tard cientos de aos en reemplazar al bamb y la seda, fue hasta finales del siglo II d. C. que la corte imperial lo us en cantidades importantes. Esta innovacin no se propag fuera de China hasta el 6. C. aproximadamente, y alcanz Europa a travs de Espaa hasta el siglo XII. A mediados del siglo VIII los chinos inventaron la impresin xilogrfica, o el grabado en madera, y la necesidad de reproducir un gran nmero de textos e imgenes budistas, calendarios, manuales de adivinacin y diccionarios promovi una rpida y temprana propagacin de la xilografa. El primer libro impreso chino que se ha encontrado es el Sutra del diamante del 8. C. Los impresores chinos crearon los tipos mviles hacia el siglo XI, el escritor chino Chen Kua 1. Mengshi Pitan, segn el escritor el herrero Jen. Tsung de la dinasta de los Song del norte entre 1. Tambin se le atribuye la creacin de una mesa giratoria para guardar los caracteres, esta tcnica se llamaba tipografa tablearia. Hacia el 1. 30. 0 Wang Tcheng, un tcnico agrnomo, emplaz la arcilla por madera de azufaifo, que era mucho ms dura. Pero este avance no revolucion la imprenta hasta el punto que lo hizo Gutenberg en Europa 4. A diferencia de las lenguas europeas, el chino escrito requiere miles de caracteres nicos, lo que hace mucho ms eficaz los bloques de madera individuales que los enormes conjuntos de tipos reutilizables. En contraste con el declive de las artes de los escribas en occidente en los siglos que siguieron a la creacin de la imprenta de tipos mviles, la caligrafa china conserv su prestigio, era un arte. No obstante, a finales del siglo XV, China haba producido ms libros que el resto del mundo junto. Los rabes aprendieron la tcnica para fabricar papel de sus contactos con China en el siglo VIII, y este se introdujo en Europa en el siglo XII a travs de la Espaa musulmana. 3La obra xilogrfica ms antigua encontrada hasta nuestros das es el Dharani Sutra de Corea, datado en el 7. C., aunque no se sabe quin fue el inventor de la xilografa los chinos y coreanos fueron los que impulsaron la impresin xilogrfica, principalmente para editar textos religiosos. El budismo chino y coreano fue el vehculo que trasmiti la xilografa a Japn. Pero Corea realiz muchos otros avances que revolucionaron la manera de imprimir y en consecuencia el libro. Entre 1. 23. 4 y 1. Gwanghwa, debido a la invasin mongol, no disponan de madera dura fue entonces que imprimieron 2. Go geum sang jeong ye mun con caracteres mviles metlicos. La obra del ao 1. Ms tarde el rey Taejong puso en funcionamiento un taller que contribua a la difusin de la escritura y en 1. Jujaso, donde se fabricaban caracteres mviles de imprenta, realiz la primera fundicin de tipos mviles en bronce. Song of Myself. Wont you help support Day. Poems 1. 81. 9 1. I celebrate myself, and sing myself. And what I assume you shall assume. For every atom belonging to me as good belongs to you. I loafe and invite my soul. I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, formd from this soil, this air. Born here of parents born here from parents the same, and their. I, now thirty seven years old in perfect health begin. Hoping to cease not till death. Creeds and schools in abeyance. Retiring back a while sufficed at what they are, but never forgotten. I harbor for good or bad, I permit to speak at every hazard. Nature without check with original energy. Houses and rooms are full of perfumes, the shelves are crowded with. I breathe the fragrance myself and know it and like it. The distillation would intoxicate me also, but I shall not let it. The atmosphere is not a perfume, it has no taste of the. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked. I am mad for it to be in contact with me. The smoke of my own breath. Echoes, ripples, buzzd whispers, love root, silk thread, crotch and vine. My respiration and inspiration, the beating of my heart, the passing. The sniff of green leaves and dry leaves, and of the shore and. The sound of the belchd words of my voice loosd to the eddies of. A few light kisses, a few embraces, a reaching around of arms. The play of shine and shade on the trees as the supple boughs wag. The delight alone or in the rush of the streets, or along the fields. The feeling of health, the full noon trill, the song of me rising. Have you reckond a thousand acres much Have you practisd so long to learn to read Have you felt so proud to get at the meaning of poems Stop this day and night with me and you shall possess the origin of. You shall possess the good of the earth and sun, there are millions. You shall no longer take things at second or third hand, nor look through. You shall not look through my eyes either, nor take things from me. You shall listen to all sides and filter them from your self. I have heard what the talkers were talking, the talk of the. But I do not talk of the beginning or the end. There was never any more inception than there is now. Nor any more youth or age than there is now. And will never be any more perfection than there is now. Nor any more heaven or hell than there is now. Urge and urge and urge. Always the procreant urge of the world. Out of the dimness opposite equals advance, always substance and. Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learnd and unlearnd feel that it is so. Sure as the most certain sure, plumb in the uprights, well. Stout as a horse, affectionate, haughty, electrical. I and this mystery here we stand. Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen. Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age. Knowing the perfect fitness and equanimity of things, while they. I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean. Not an inch nor a particle of an inch is vile, and none shall be. I am satisfied I see, dance, laugh, sing. As the hugging and loving bed fellow sleeps at my side through the night. Leaving me baskets coverd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road. And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead Trippers and askers surround me. People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues. The real or fancied indifference of some man or woman I love. The sickness of one of my folks or of myself, or ill doing or loss. Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself. Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest. Looking with side curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with. I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you. And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat. Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turnd over upon me. And parted the shirt from my bosom bone, and plunged your tongue. And reachd till you felt my beard, and reachd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heapd stones, elder, mullein and. A child said What is the grass How could I answer the childI do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord. A scented gift and remembrancer designedly dropt. Bearing the owners name someway in the corners, that we may see. Whose Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic. And it means, Sprouting alike in broad zones and narrow zones. Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass. It may be you transpire from the breasts of young men. It may be if I had known them I would have loved them. It may be you are from old people, or from offspring taken soon out. And here you are the mothers laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men. Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues. And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women. And the hints about old men and mothers, and the offspring taken. What do you think has become of the young and old menAnd what do you think has become of the women and children They are alive and well somewhere. The smallest sprout shows there is really no death. And if ever there was it led forward life, and does not wait at the. And ceasd the moment life appeard. All goes onward and outward, nothing collapses. And to die is different from what any one supposed, and luckier. Has any one supposed it lucky to be born I hasten to inform him or her it is just as lucky to die, and I know it. I pass death with the dying and birth with the new washd babe, and. And peruse manifold objects, no two alike and every one good. The earth good and the stars good, and their adjuncts all good. I am not an earth nor an adjunct of an earth. I am the mate and companion of people, all just as immortal and. They do not know how immortal, but I know. Every kind for itself and its own, for me mine male and female. For me those that have been boys and that love women. For me the man that is proud and feels how it stings to be slighted. For me the sweet heart and the old maid, for me mothers and the. For me lips that have smiled, eyes that have shed tears. For me children and the begetters of children. Undrape you are not guilty to me, nor stale nor discarded. I see through the broadcloth and gingham whether or no. And am around, tenacious, acquisitive, tireless, and cannot be shaken away. |
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